Grounded
Grounded (2026) - a ghost of the opening motif of Stravinsky's Rite of Spring is minutely deconstructed on tape and then sent through granular processing and accompanied by a granular bass drone, my contribution to the collection 'Sinking In The Black Mud', the final release on Preston Capes Tapes, through which I released my record 'Merry-Go-Round' in March 2025. Double cassette and digital.
The Minyades
The Minyades (2026) - a composition inspired by the ancient Greek mythological story of The Minyades, my contribution to 'Celebrating the Bat Chapter 1: Darkness Falls', released on Dustopian Frequencies 
Night Owl
Night Owl (2025) - a bass ebow drone exploration, my contribution to 'Noise as a Form of Expression Volume 3', released on Drama Recorder, multi-cassette and digital
Merry-Go-Round
Merry-Go-Round (2025) - my debut solo record, where tape loop explorations are manipulated and accompanied through and by modular synthesis, released via Preston Capes Tapes on cassette and digital.
Crossings
Crossings (2022) - concert at the Greek National Opera, alternative stage, featuring Savina Yannatou and the chόrεs female vocal ensemble led by Marina Satti, curated by Kornilios Selamsis, for which I was commissioned to compose two new pieces by researching, deconstructing and re-composing two existing pieces: 'Nani Nani' (trad.) and 'Diprosopi Selini' (Savina Yannatou). Soloist / female voice ensemble / santur / ancient Greek lyre
Separating Circles
A site-specific composition for 5x tape loops and 1x venue, performed at Kamiros in Kypseli, Athens as part of their multidisciplinary series of events based on the book 'The Line of the Horizon'.
NOT THE TIME

Created in collaboration with Alkistis Polychroni. A lockdown project based on the meaning of 'Pause' upon the invitation of ΑΠΑΡÄΜΙΛΛΟΝ as part of their '#8_ΠΑΥΣΗ' event.

Brawny One

Brawny One (2020) for voice, electric guitar and feedback, National Theatre of Greece 'Rex'

What Is the Word

What Is the Word (2019) for piano and voice, National Theatre of Greece 'Experimental Stage'. Based on the poem by Samuel Beckett.

Distortion

Distortion 2018-19) audiovisual experiential installation, Galería de Art Contemporáneo Paul Bardwell, Medellín and Parque Biblioteca Fernando Botero, San Cristóbal, Colombia by Esteban Gutierrez

Gary Salomon: musical composition, recording, production

Bugonia

Bugonia (2018) for 6 voices, 2 flutes, 2 clarinets in Bb, oboe and trumpet, National Theatre of Greece 'Tsiller' Building

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